An Intimate Conversation with Mipso’s Libby Rodenbough

When I read that Mipso was playing the Jefferson Center, my heart skipped a little beat and I said an audible “hell yeah” to myself, and have anxiously awaited the show ever since. I am probably one who gets too excited about live music, but this one my friends, is MY top ticket for 2017. I’ve seen a LOT of great shows this year, and as super pumped as I am for Dawes, Willie Nelson, Third Eye Blind, and Amos Lee to come to town, but it’s Mipso that I’m looking forward to the most.

It may be because I have never seen them live; It may be because they just released a new album (WHICH IS FANTASTIC); It may be because the tickets are going for $15 (what a bargain); Or it’s simply that Mipso has been a constant on my playlist for quite some time now. Regardless of the reason, this North Carolina-based indie Americana quartet and its growing setlist of accessible songs are a real treat for the ears.

Their 2013 release, “Dark Holler Pop”, is one of those albums I listen to from start to finish and don’t skip a single song. “Coming Down the Mountain,” which was released in April of this year, is just as good, sparkling with gems like “Hallelujah”, “Hurt so Good,” and “Cry Like Somebody”.

I was able to chat with Mipso’s fiddle player, Libby Rodenbough, about the new album, songwriting styles, and their recent serious car accident. Read more and purchase Mipso tickets before they sell out!